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Jad Al Masri

I'm a violinist and composer reimagining Middle Eastern & World Instrumental Music. I also run a creative agency, MIRAGE MEDIA, and am a lawyer with an interest in music, entertainment, copyright, and IP. Outside that realm I write about meaning, consciousness, creativity, individuality, and philosophy - sometimes through these lenses. Subscribe to my newsletter to join me along my journey in making a creative and impactful difference.

Featured Post

The Instruments Behind January 30

Hey Reader, If you were there, you heard them. The instruments that made January 30 unforgettable. The Indian Tabla Fingers striking goatskin stretched over rosewood. The heartbeat beneath The Disaster 6. Ancient Indian percussion weaving through Arabic strings. The Arabic Oud Eleven strings. 5,000 years of history. The instrument that carried Um Kulthum's voice into legend. The Qanun 78 strings. A shimmering cascade that sounds like sunlight catching water. The Arabic Strings Violin. Viola....

Hey Reader, The show ended. But the conversations didn't. Here's what the people said: "WOW, just WOW is all I can say" "Thank you for the most amazing musical performance I have ever seen” “I have no words to describe how much I loved it… "This made my month… this was phenomenal” “I can’t wait for the next show" "performed at a standard too high to not be internationally recognised… absolutely wonderful” “What an amazing night… you guys killed it” “Absolutely loved it" It was awesome. And...

Hey Reader, Friday night was truly spectacular. A dream come true. A full house. A room full of passion. Precision. And power. We aimed to make this show our most ambitious yet. And judging by what our audience said, I think we did a pretty good job: “WOW, just WOW is all I can say." "Thank you for the most amazing musical performance I have ever seen.” “I have no words to describe how much I loved it." "This made my month… this was phenomenal.” “Performed at a standard too high to not be...

There’s an instrument most people have never heard of. The qanun. 78 strings stretched across a trapezoidal frame. Played flat on the knees. Plucked with small picks attached to each finger. When the qanun enters, the air changes. A shimmering cascade of notes that sounds like sunlight catching water. Delicate. Hypnotic. Impossible to ignore. On January 30, our qanun player will guide you through arrangements you’ve never heard, bridging the space between ancient Arabic tradition and...

Before the guitar. Before the lute. There was the oud. Pear-shaped. Eleven strings. A voice that stretches back 5,000 years to ancient Mesopotamia. This is the instrument that shaped Arabic classical music. The instrument that Fairouz grew up hearing. The instrument that carried Um Kulthum’s voice into legend. On January 30, our oud takes centre stage, not as a museum piece, but as a living, breathing force weaving through 30 musicians. When the oud begins, the room falls silent. When it...

Whoops! The images didn't attach in our last email. So here it is again. Enjoy! Imagine fingers striking goatskin stretched over rosewood. A soft pulse that builds. Then rolls. Then thunders. That’s the Indian tabla. For centuries, the tabla has been the heartbeat of Indian classical music. The instrument that turns silence into anticipation. The rhythm beneath the melody. On January 30, watch as our tabla player weaves ancient Indian percussion through Arabic strings and contemporary...

There’s a song that stopped time for an entire generation. Hint: it's by her 👆 You know the one. The song your mother played on repeat. The one your grandmother swayed to. The voice that needs no introduction. On January 30, we’re performing that song. A 30-piece orchestra. Arabic strings layered with contemporary arrangement. Every pause. Every rise. Every breath, honoured. And you’ll have to be there to find out which one it is 😉. This isn’t just a concert. This is the resurrection of an...

The last time we played The Disaster 6 – our Indian Middle Eastern fusion piece – the audience could barely stay in their seats. It started as a simple melody. Now it’s become an X-minute orchestral unification of two beautiful cultures. Featuring Arabic strings and Indian tabla weaving through one sweeping arrangement, you won’t want to miss it performed on January 30, 2026 at Sutherland Pavilion. A completely reimagined arrangement: bigger, bolder, and more emotionally charged than ever...

Imagine... A 30-piece East-West orchestra. A fusion of Arabic, Latin, Indian, and contemporary sounds. A night that brings you back to the golden days of Fairouz, Um Kulthum, and Abdel Halim Hafez. Well it's coming to life... On January 30, 2026, we return to Sutherland Pavilion Performing Arts Centre with our most ambitious production yet. New music. New arrangements. New stage production. Here's what previous audience members have said: "Best Middle Eastern Orchestra in Australia" "It was...

Hello lovely humans, Happy 2026! While the world has been easing into the new year, something wild has been happening around our little corner of the internet. Our upcoming concert on January 30, 2026 has quietly become a hot topic. Our past post have crossed 100,000+ organic views combined, 1K+ shares, and multiple hundreds of comments. And the excitement around this music is… honestly, a little overwhelming (in the best way) All of this is building toward one night... Get Tickets Now What...